Light is the only difference.
'The Boy with the Topknot' is still, by far and away, one of the best depictions of a modern British Asian experience that I've seen. I watch it quite often- still blows me away, and I find great comfort and calm in it. Love Sathnam Sanghera, and so inspired by all who worked on the… Continue reading Programme Focus: ‘The Boy with the Topknot’ (1/2)
'Diaspora Child', my first poetry collection, is now available to buy in paperback on Amazon, and e-book on the Kindle store!!! Available in all Amazon territories and on Kindle apps and devices!!!
* I carry in my face the same disquiet as my grandmother.The same clenched tension in the jaw,teeth pressed together like they're mouldingindents in clay- When I took this photograph, I felt like I was smiling. I was calm, content, felt softly sparked throughout: I guess my head is as a bulb with a burnt… Continue reading Cara: A Portrait.
I have a real problem with the word 'brown', and other colour-centric words where they pertain to skin. For some, they are exaltations of pride, affirmations of identity and fervent ownership of a feature that has been used to discriminate against them and others seen as similar, a reclaiming and redefining of something natural and… Continue reading Some Thoughts On Contemporary Colour-Centric Discourse